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Every two years, with the Venice Biennale, Venice becomes the capital of contemporary art. However, numerous regional and cultural areas are still excluded from this conversation. Gathering the necessary support to set up a national pavilion at the Venice Biennale remains an overwhelming challenge for many countries, especially those experiencing socio-economic constraints and political instabilities. The African Art in Venice Forum (AAVF) was born in 2017 with the aim of bringing together in Venice the unrepresented voices of the contemporary African art ecosystem, present their creative message, and open a broader cultural dialogue during the opening of the Biennale. A varied range of more than 1,000 art professionals, lovers and researchers gathered around this free, open and inclusive platform with enthusiasm and passion: lasting connections were forged; a lively community for discussion and knowledge-exchange was born; and many described the initiative as a transformational experience.
Every two years, with the Venice Biennale, Venice becomes the capital of contemporary art. However, numerous regional and cultural areas are still excluded from this conversation. Gathering the necessary support to set up a national pavilion at the Venice Biennale remains an overwhelming challenge for many countries, especially those experiencing socio-economic constraints and political instabilities. The African Art in Venice Forum (AAVF) was born in 2017 with the aim of bringing together in Venice the unrepresented voices of the contemporary African art ecosystem, present their creative message, and open a broader cultural dialogue during the opening of the Biennale. A varied range of more than 1,000 art professionals, lovers and researchers gathered around this free, open and inclusive platform with enthusiasm and passion: lasting connections were forged; a lively community for discussion and knowledge-exchange was born; and many described the initiative as a transformational experience.